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1.
These bleak soundscapes will never change. The surrounding abandonment is a single path eroded into the sunset Isolated by chipped iron walls Where this language collapsed inwards; Fell to the matted ground and evaporated But now: a slow, becoming ascendance With the first broadcast tearing through summer nights Careering forwards as a contorted coalesce Our new satellite, so bold; Only to disintegrate in these streets Where the lights flicker in broken morse code. These bleak soundscapes will never change.
2.
Scalded hands, clasping branches patiently From our necks, so wrought down by gravity As we stared the numbing pain shot up through our tired arms Carbon air that we inhaled constantly Rising up from the liquids that gave our lease To breathe in and to lie about dying leaves Songs I left, The songs I left to end so silently Silence has pulled them in and silence has won We were just reaching out but our grasp was decayed Now that silence has won
3.
And so I gaze onto frozen roads With decades of untold coarse images Preserved as skewing focus And so I gaze onto frozen roads And cover my bare hands Still waiting to erode and disperse through this land And so I chance into open arms With feeling still removed Coarse memories collide with good intentions And so I chance into open arms Still feeling so removed But we'll hold on for dear life We'll hold on for dear life Slowly marching to the sound (with charismatic) Slowly marshalling the sound (with charismatic ease) Before its absence takes us all Before the cavalry return us to our empty homes And feed us to the wolves With these thoughts reaching out to hold onto my arms, outstretched With everyone I've known scattered into the air Before the images collide into the melting ice Before the break of dawn enters to remove us all So with the light they've disappeared There is no elation Only the slight ambivalence And tiredness, tiredness.
4.
Blue Button 03:31
Silence fills this room; Unfocused and shrill Dirty windows obscure the light from industrial homes, The derisive laughs of decadence That come from all i can see- And yet from nothing And they will bring us prosperity And they will bring us prosperity and peace My gaze darts between the places my feet can never touch And the thoughts i can never have And i mourn the loss of what could be achieved And the spaces and directions that we could fill that remain empty And they will bring us prosperity And they will bring us prosperity and peace On and on
5.
Of faces proud and light, uncovered by night There is little said They scream without opening their mouths At lights that blind their eyes Their sources unimagined. Steps that never touch the ground Distracted and removed Vision coated by dull glass. I'll never hold them again In my always moving arms, recovering Soft, like the rain through their eyes Moving weakly into lines, stuttering Drink for the gaps, flooding out from our edges Pooled in our veins and in our hearts. The street lamps flickering in broken morse code But we are waiting for someone to save us, To reach out and grab us These unreal ecstatic visions. And I'll never touch the ground Distracted and removed My vision coated by dull glass.
6.
The terrible sound of the constant alarms that are sounding for the end of our lives. As I sit in these alleyways Where the open ends are a cracked dawn chorus For those who have disappeared And have left these openings for our returning ways. Shaped by the winter, as the scales descend from our resplendence Shaped by our anger, and the broken descent from our dominance Into our own salted earth. And I dance to a melody That has broken, wavered and turned its joy Into that which is descending Into every sentence once uttered in duress.
7.
(And now we're folding our arms to draw some blood with the sunrise underneath us) Waiting for words that will hold me up Over the side, to gaze at the stars Your fierce glow cuts a hole in our lazy facade The folds in these arms protect dramatic erosion of the things in which I've never believed Shield our eyes from the idioms falling From the fractures so made in confident skies Shield these claims from the challenge we mounted With the gesture still passing us by. Those who will watch and will hold you up Are blinded by stars, and sheltered by hours Now glancing into a new sympathy: so gratefully ours And watching the hours and hours of constant erosion Of the things in which I've never believed
8.
The windowsill; the parapet; the edge of our great hollow world So beautiful, but my sympathy's pragmatic in its great hollow worth. Shifts in our culture as seen through this black coloured lens Scrawled from memory Become a stunted old revelry So let us please forget this. The windowsill; the parapet; the edge of our great hollow world For decades in these corridors we stumble across this great hollow earth. A thousand lines decay by the hour And here I stand, a brash innocent Waiting for portraits to right themselves So we can all forget this. And innocent stood waiting for time And this will paralyse the passage of time Paralysed in waiting rooms that blind with their neon lights Stumble down these corridors.
9.
Black Room 03:50
Impatient shuffling disappears with silence Still the melody runs through my head Summer is fading and mundane is still mundane Tapping on nihilist shoulders Inside of a black room I can see you quickly turning the other way Still the melody runs through my head These lyrics we used to sing still read the same way to me And those melodies run through my head This is not where I want to be Spinning slowly through halls into the ground As the rain drips down the walls Moving softly through cracks into the ground
10.
I am but a sound, repeating every hour Reverberating through these old halls So familiar; but on this moment I slowly dissipate through the light (The shattered light Through the light The shattered light) But without a sound, we've stood here for too long In the candlelight through stained glass You won't see the words I'm forming on my tongue Shallow subtleties of our past. Drifting to the place we called our home Welcomed as a wandering isolate Dig our aching legs into the earth And wait for the crowd to shelter us. So they'll celebrate for us; For we are grateful for this grand demise.
11.
[...] 00:58
12.
I remember all the small details hidden in grey-scale words They escape from dying languages spoken only in colour. Like the texture in your own blue darting eyes Becoming fixated on the steps I take across the floor Like the movement of your body as you sleep Becoming softer and softer with a new triumphant ease. I remember when I came to you as a soldier primed for war But instead I crumpled in your arms. And there will always be a repetition. And maybe we will stumble in a generations' time When we are tired of dissidence and our shared relief But until then I'll dig my hands into this land of clay But until then I'll shape the ground on which we spend our days.
13.
There is a slight fading memory that sometimes will occupy my dreams Until the cold morning light does pierce through my sleeping eyes. I won't forget the scattered impression; The blissful sketch, the trace of your expression Echoes of your soft hands and excitement fill your eyes Our steps; so confident Our grasp to never weaken Our silence to always permeate But now in broken radios Caught in between the waves and their decompositions Well this is our broken home Where the degradation is woven into the pattern of my new gaze. There is a slight fading memory that sometimes will occupy my dreams Until the cold morning light does pierce through my sleeping eyes. (These bleak soundscapes will never change)

credits

released September 9, 2009

All songs written by Andrew Hirst

Performed by:

Andrew Hirst
Neal Heppleston
Eddie Venison
Fliss Webb

Reading of "In Broken Morse Code" and flute on Black Room by Robert George Saull

Artwork based on photographs taken by Stew Abel

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The Contortionist London, UK

The Contortionist is me, Andy Hirst; usually alone, but sometimes with friends. We even had a proper band for a while (The Contortionist and The Wandering Boy Poets).

I've been in a load of bands over the years playing various things: drums in Nixon, The Broken Chairs, and The Purgatory Players, guitar in Situationists, guitar/keys/vocals in Japanese Sleepers and Fall Forwards.
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